The Witcher Comes to Netflix
Some of the best movies have come from contemporary fantasy, including The Golden Compass (based on the first novel in Phillip Pullman’s trilogy Dark Materials) and the Harry Potter franchise from the J.K. Rowling series of the same name. Next up: The Witcher, based on Andrzej Sapkowski’s collections of stories about a monster hunter named Geralt of Rivia, coming to Netflix in 2020.
Altered Carbon, Death Note, and Disenchantment: you can see Netflix is trying to win through its bold programming choices. Yet these did not have the challenge of adapting a 13th Century, Euro-Polish-Scandinavian-style land known as The Continent, populated by Fiends, Drowners, Katakans, and other vicious monsters. It'll be interesting to see how it develops!
Read more at ComingSoon: What We Know About Netflix's The Witcher Series
Cleverman and Indigenous Futurism
If there is a new Australian sci-fi TV series that everyone must watch, its Cleverman. The first episode, “First Contact,” is filled with an undercurrent of dislocation, anger, and loss. Through the vehicle of social science fiction, the series tackles things that make for sometimes uncomfortable viewing, simply because these are relevant issues that come from a real place of pain and subjugation.
But far from the silver streaming screen, the reality of many black people is dire. For the Aboriginal people in Australia, I can’t help feel that their struggle is beset with even more challenges: alienation, misunderstood mentality, double identities. These are a people that have endured a systematic genocide during colonial invasion that's on the scale of the Rape of Nangking in WWII. With this in mind, it adds significant emotional weight when you watch Cleverman.
For the full feature, including how Yidinji sovereign nation leader, Murrumu Walubara, is changing the notion of 'tribal' identify and 'modern statehood', visit LLF: 'Cleverman', indigenous futurism and the Empowerment of a Lost Culture
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